Studio Blue is known for curating and sustaining the most creative & inspiring place for artists in the city of Providence.
MISSION: Providing services, space and equipment for creatives and their endeavors.
Artist Services: artist space, prop development, product development, merch & brand design and implementation, web design, logo & business card design, screen printing, flyers and advertisements, rapid prototyping, 3D printing, 3D scanning, 3D design, product mass production, commissioned public art and installations, custom jewelry design and production.
Music Services: rehearsal space, music instrument design, high-quality audio recording mixing, mastering & production, music video production, creative consultation, room tuning, recording studio design, music venue design installation operation & training, radio & tv adds produced with airtime included, sound design for film & video, soundtrack sweetening, location sound, sound effects, Foley sound and more..
Our goal is to provide follow-through support and progressive production methods to serve your businesses & projects with the most efficient & effective results, from concept to execution.
STUDIO BLUE HISTORY:
Studio Blue in its original version, originated in 1999 in Upstate New York as a rehearsal studio. It was part of a larger art collective called The Resonance Center. As the music and studio department grew, it managed recording and rehearsal clients from all over the world and soon it was apparent that this was something worth exploring further. Open to musicians collaborating and supporting all age open jam nights, open mics and improv sessions in local pubs and back at the studio. Its existence helped many individuals and groups form groundwork for fulfilling futures in the creative world. It eventually leads to the development of the recording studio & Utica City Orchestra (a dynamic group of 20 + musicians) playing parades and events spawning countless bands and solo careers.
We moved to Providence to work with a group who offered an opportunity to expand the concept while completing some films in the works. Knee-deep in the heart of Olneyville / Providence Rhode Island at 62 Dike St. in 2005. A vibrant time at the tail end of the fort thunder and pioneering noise scene that exploded in Providence 5 1to 10 years prior. Space was cheap and the people were perfectly out of their minds." After building out a 3 room music studio he would invite other local artists & musicians to enjoy the space when it was not being used as a recording studio. He developed a few bands to keep sane and produced a pile of demos, worked on everything from art films,experimental blues, noise rock, rap, metal, thrash and punk projects, and some interesting radio commercials. Hosted some amazing open jam nights and networking events that would often produce more opportunities for work. Rick and his studio grew out of the Dike st location in about 5 years. Since then they have built 5 other creative studios for his personal projects and made these spaces available to other artist friends. Artists would pitch in for supplies and help with bill and pay Rick to help them with their art and music and this is how he has afforded to keep his stuff going and growing for all these years. In his words , “If it wasn't for the community of amazing people and talented friends to work with in this city, this kind of art and work wouldn't be possible and certainly life just wouldn't be as interesting.. I am eternally grateful to Providence & the people who make this city, you know who you are. r.
Interview with Rick Scianablo of Studio Blue
Interviewer:. How did the idea of Studio Blue come about?
R: It probably got the bug around 1992 on a dirt BMX track behind the party experience store on larkfield road in long Island NY where I grew up. We all hung out there and made the track rock. It Rocked. Then there was a half-pipe next to the church in the woods, I would ride my bike on it, everyone was ridiculous, we would have little parties there. I found trouble wherever we could. When i was 16 we moved out of the city to a farmhouse upstate NY. It was a culture shock for sure, I started playing guitar and a few of us formed a band called Ohm - the sound of creation. It sounded exactly what you might imagine. We got better. Started recording ourselves with my homemade microphones and a tape deck. We eventually would invite people over and have little concerts in the yard, we put lights in the trees, we made a thing. It kept us out of trouble for the most part.. Our band was asked to play at our high school graduation, we played some originals and the typical satirical material - we don't need no education, 2001 space odyssey, good times bad times, free bird, whatever,.. Bare with me here... Then I moved to Florida worked at my families silver jewelry company Tombstone Silverworks played some music with my cousin and friends, learned how to sculpt and cast some silver shit and drink Guinness. I learned good things..
Interviewer: I'm sorry,I meant how did you come up with the name Studio Blue
R: oh hahaha, the walls were blue. and.... for psychic reasons i'm not at liberty to talk about.
Interviewer: Did you attend college for the things you do now?
R: yes, went to college at Mohawk Valley College in Utica New York around 1999, i took a lot of philosophy sociology classes, i liked people and thinking, every figure drawing class and photography class i could, learned web development, photoshop, welding, painting, coding programs, networking, software, how to build and maintain computers ect. But music eventually took over, I founded "Jam Sessions @ MV music organization or club" the school's first musicians club, that was fun. Eventually got a budget, learned how to manage a budget and and make a good case for our existence. We hosted big concerts on campus, Melvin Seals & The Jerry Garcia Band came a few times, our band opened for them and we became good friends. I made administrative rooms in the office hall that were not being used much into accessible art and music rooms, after hours. I ran that for 3 years, purchased equipment, music gear and made spaces accessible for me and whoever signed it out or blocked out a time between 6pm and midnight 2 or 3 nights per week. We pushed boundaries, it was helpful to many.. After reaching the limits of the establishments potential tolerance of our noisy group, i found some friends in town and collectively put together a studio in a building off campus, without all the restrictions, It was better. Eventually i had an opportunity to move to Providence and do a bigger thing. And here we are. Doing the same thing 20 years later...
Interviewer: Did art or music class in grade school have a big influence on you as a kid?
R: No, i remember in 5th grade I took drums in band class, the teacher yelled at me a lot, because I held the stick wrong and one day he threw a chalkboard eraser at me and told me to go home until I learned how to hold the sticks correctly. I never went back. I didn't touch an instrument again till i was 16 and not seriously until i was 20 or so. I never studied as I should have. I mostly played with the radio, whatever came on, or to my favorite records from my parent's collection. Yes real records. So not much happened in terms of art or music in grade school, it was more about figuring out people and myself on a basic level.. I sometimes wish i started being interested in anything relevant during grade school. Who knows what life would look like now.
Interviewer: Who are your main influences?
R: Good or bad?
R: To who? the lion or the pig? Haaa no, i wont do myself any justice here. I think its relative, i was into everything i could find something cool in whatever if i listen good enough.. I guess, im pretty boring and predictablel with pretty mainstream influences, I was the oldest in my family besides my cousin Justin who turned me on to King Diamond Megadeth, Anthrax & all that when i was 12 - thank god for him.. That opened the flood gates. After that i wasn't scarred of being open minded. I suppose it blew open my imagination to a place i probley wouldn't have gone strait to as a younster growing up in Long Island NY. My mother, was an artist, she was an amazing illustrator and doodler, she drew for the conan comics when she was younger i think, but did it less and less as we got older, so she was a big influence on helping me feel comfortable with being creative. For my favorite art stuff i looked at Picasso, Bosch, Dali, MC Esher, standard stuff and later Basquiat, Blue, Banksy Keith Herring, Davinci, i eventually went to his old house in Vinci Italy when i was around 23, got stuck there in a blackout thunder & lightning storm for it seemed like forever until the rain stopped. That's another story. For music i listened to a mix of things, James brown, bill withers, Sugar hill Gange, Frank Zappa, Tribe called Quest, Roots, Primus, Mahavishnu Orchestra, Herbie Hancock, Jeff Beck, Beastie Boys, Chewbacca, Hendrix, Miles Davis, Richie Havens, Al Dimeola, Robert Johnson, Shleigho, Psychedelic Breakfast, Thelonious Monk, George Clinton, James Brown, Beatles, The Who, Bob Dylan, Stones, Ism, Santana, Jhonny Guitar Watson, Ravi Shankar, Stanley Clark, Anthrax, Clint Eastwood, Pantera, Cartoons, Tales from the Cript, Twighlight Zone, Merciful Fate, King Diamond as i said before and tons of metal as a youngster, tons, Canibal Corpse, Deicide, Biohazard, Slayer, Iron Maiden, Public Enemy, Infectious Grooves, Suicidal Tendencies, Bob Marley, Anton Webern, Bach, Rob Zombie, Chic Corea, Mr. wizard, Bob Ross, Jim Henson, The Muppets & Electric Mayhem Orchestra and nothing else... hahaha your not gunna put all that in there are you?
Interviewer: Did you ever play in any bands people may have heard of?
R: Probably not, I did some obscure things, played lead guitar in The Shower of Bastards - improvisational madness, The Dukes of Havok - Zappa and Mahavishnu Orchestra covers and originals, Slug - grateful dead tribute band - 30 or so songs per night 2 nights pr week for 2 years. That's how i paid the rent and bought stuff then. We opened up for the Jerry Garcia Band with Melvin Seals, Melvin Seals was always an inspiring person to talk to, a heavy spirit. I was in the Utica City Orchestra for a year or two but so was everybody else. haha thats funny. When I moved to Providence i mostly produced and engineered recordings. I filled in when people needed a crazy guitar or bass guy, nowadays I'm playing keys more often and I find it quite satisfying.
Interviewer: What are you working on these days?
R: STUDIOBLUE hosts over 20 artists in residence and manages over 15k sq ft. We are working on developing more opportunities for people we dont have space for. We host open art nights, sculpture for casting classes, offer all age music lessons, audio engineer apprenticeships, do live recordings, screen printing & 3d printing items every week. To see current service list click here.
Interviewer: How does a music studio help the creative production community?
R: Well, It starts with music for me, but i think whatever you are doing, if your not having fun your doing it wrong. We all work separately and together to make projects and pieces better. In a place where things are set to make that easier, it makes it possible for people to do more better, hahaha do more, better. Surprisingly many creative mediums are connected and creative people find common ground pretty organically and that is a great place to be.
Interviewer: Space seems to be a big part of your organization. Can you explain that?
R: I believe space is the ultimate currency for creatives, especially in a city. It determines how big you can work and how loud you can be and how messy you can be, These restrictions immensely define what your art or creation can be. With so many restrictions how can you ask people to feel free to express themselves. We work on a barter system or sliding scale, always trying to manage working on interesting projects rather then only projects that people have a lot of money behind.. 20 years and 6 locations later, we certainly dont have the money we wish we did, but we have produced & supported countless artists, groups, creative projects, events & venues and people along the way. Helped a lot of people make things happen when no one else could. Made many life long friends, learning something new every day isnt anything to complain about.
Interviewer: Whats next?
R: Its time to let the anchor down and own our space. We are responsible for supporting a valuable creative community and at 15k sq ft we are out of space. We are Providence we want to remain here as an inner-city resource for creative people. Just another reason for talented people, students and thinkers who live here, stay in Providence.
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Studio Blue offers high end audio / visual production.
Offering event sound & lighting, analog & digital live & studio recording, web and design services of the highest quality.
Creative projects, audio, video, photography, web design, event, invention & product development.
Industry veterans and new talent working together. We have someone here who can relate and help you with your production from a sincere and capable perspective.
Within the network of people we work with we have all the abilities to make your project a success, guaranteed.
With our Art Army network and years of connections we have the technicians, engineers & professionals dedicated to delivering quality beyond your expectations.
We have extensive knowledge of the entertainment and media industry to get things done right, the only question is, are you ready to make it happen.
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“I REHEARSED HERE WITH 2 OF MY BANDS FOR ABOUT A YEAR, PLACE IS AWESOME, VERY COMFORTABLE, INCREDIBLY CREATIVE ATMOSPHERE, RICK & HIS TEAM ARE GREAT. VERY HELPFUL. VERY COOL.”